Pick a template, or start blank.
Commercial, explainer, corporate, YouTube, documentary, or short-form. Each one opens with the beats already laid out as prompts in the two-column AV grid. Replace them with your script.
Commercial, explainer, corporate, YouTube, documentary, or short-form. Each one opens with the beats already laid out as prompts in the two-column AV grid. Replace them with your script.
One scene per row. Voiceover and dialogue on the audio side, exactly as they will be recorded. What the viewer sees on the visual side. The runtime counts up as you type at your chosen reading speed.
Download a typeset PDF for the client, or save the script to Boords to collect comments on the line, keep a version per round, and turn the approved script into a storyboard. No signup until then.
Six forty. The kettle is on. Again.
Dark kitchen, blue dawn light. Close on a kettle switch clicking on. Steam starts to rise.
You have had the same coffee every morning for three years.
Same kitchen, three quick cuts across the seasons. Same mug, same jar, same tired hand reaching for it.
Northwind sends a new single-origin roast every two weeks, ground for your machine, roasted the day it ships.
A Northwind box lands on the counter. Hands tear the seal. The bag label reads ROASTED YESTERDAY. Grounds pour into a filter.
Forty thousand kitchens. Four point eight stars. No mornings that taste like Tuesday.
Fast montage of kitchens across the country in morning light, people mid first sip. Review stars animate over the last shot.
Same kettle. Same mug. Nothing else the same.
Back to the first kitchen. Same mug, but the person pauses, looks at the cup, and smiles.
Northwind Coffee. First bag free at northwind dot coffee.
Product on white. Logo, URL, and offer lock up. Steam curls off the mug.
Writing an ad? Start from the commercial script template.
Each row is a moment the viewer sees and hears together. It becomes one storyboard frame and, usually, one shot on the day.
Voiceover and dialogue exactly as they will be recorded, plus music and sound cues in brackets. This is the column the runtime is counted from.
What the camera sees, what text is on screen, how it cuts. Written for the director and the editor, so leave the adjectives out.
Words in the audio column divided by reading speed. Here it is 130 words per minute. If a row runs long, cut words before you cut pictures.
A 15 for paid social, a 30 for TV, a 90 for the website. Who is watching, and what should be different when it ends. Write all three at the top of the script so nobody has to guess, and outline the beats as single lines before anyone writes a sentence.
Voiceover and dialogue as they will be spoken, one idea per row. Then, for each row, what the viewer sees while those words play. Be literal: shot, action, on-screen text.
The template counts the audio words at 130 words per minute. If the 30 reads as a 38, cut words before pictures. Then export the PDF or save the script to Boords so the client can comment on the line and approve a version. The script timer does the same sum for a script you were sent.
15, 30, or 60 seconds
Hook, problem, product, proof, payoff, call to action. The two-column AV structure for TV and digital ads, with the runtime counted as you write so the 30 stays a 30.
60 to 120 seconds
Problem, how it works, benefit, next step. Built for product and service explainers where every visual has to earn its place against the voiceover.
2 to 5 minutes
Introduction, mission, what you do, proof, close. For company overviews, internal comms, and training videos that need approval from more than one stakeholder.
5 to 15 minutes
Payoff in the first ten seconds, three to five points, one next step. B-roll and on-screen text planned in the visual column so the edit is decided before you record.
Any length
Narration and interview structures for documentary and branded content, with room for archive, b-roll, and the questions you will actually ask.
6 to 60 seconds
For TikTok, Reels, Shorts, and UGC. Hook in the first second, one idea, one action, written to be spoken to camera and captioned.
A video script template is a fixed structure for the words and pictures of a video, so nobody has to invent the layout before they can start writing. For agency and brand work the structure is the two-column AV script: a table with one row per scene, the visual on one side, the audio on the other, and a runtime for each row. It looks plain because it is doing a plain job. A producer can budget from it, a client can approve it, a voice artist can record from it, and an editor can cut to it. When the same document does all four jobs, less gets lost between them.
The template on this page is the AV format as a working editor. Pick a starting structure for a commercial, explainer, or YouTube video, write the audio and visuals scene by scene, and watch the runtime add up as you type. When the 30 turns out to be a 40 you find out here, not at the record. There is no signup and nothing is stored: export the PDF or save the script to Boords when you want to keep it.
A few habits make AV scripts easier to approve and shoot. Write for the ear: read the audio column out loud and cut anything you stumble on. Keep one idea per scene, so each row can become one storyboard frame and one shot on the day. Keep the columns in sync, so the visual on row four is what the viewer sees while row four is being said. Front-load the hook, because the first three seconds decide whether anyone hears the rest. Use the timing column as a budget rather than a report, and trim to fit before you send it out.
If you would rather react to a draft than write from nothing, the AI script generator will produce a first pass in the same two-column format. For the method, from brief to beats to sign-off, see how to write a video script and the guide to writing a TV commercial script. For a documentary, write a film treatment first, then start from the documentary script template. And when the script is approved, the next stage of preproduction is the board: start from a storyboard template, or save the script to Boords and turn it into storyboard frames in one click.
An AV (audio visual) script is a table with two columns. The audio column holds the voiceover, dialogue, music, and sound design. The visual column describes what is on screen at the same moment. Each row is one scene or shot, so anyone reading it can see exactly which words play over which picture. It is the standard format for commercials, explainers, brand films, and most agency video work.
AV script format means one row per scene with the visual description on one side and the audio on the other, plus a scene number and usually a running time. Keep the visual column literal (what the camera sees, what text is on screen), keep the audio column word for word as it will be recorded, and keep the two columns in sync so row three of the audio always plays over row three of the visuals. Some teams put visual on the left and audio on the right, others the reverse. Both are correct as long as the whole team uses the same one. See the worked example above.
The template counts the words in the audio column and divides by a reading speed. The default is 130 words per minute, which is close to a natural voiceover read for commercials and explainers. Presets cover slow (100), normal (130), and fast (160), and you can set anything from 50 to 300 for a specific voice or language. Real reads vary by a few seconds either way, so treat the number as a working estimate and confirm it at the record. The script timer does the same calculation for a script you already have.
At 130 words per minute a 30-second spot is about 65 words of voiceover. A 15 is around 32 words, a 60 is around 130, and a two-minute explainer is roughly 260. If the visuals need room to breathe, or there is on-screen text to read, write fewer words than the maths allows.
As long as the placement allows and no longer. Paid social and pre-roll are 6 to 30 seconds. TV spots are 15, 30, or 60. Explainers and product demos work best at 60 to 120 seconds. Corporate and training videos can run longer, but attention drops sharply after two minutes, so break longer material into chapters. Decide the runtime before you write, then let the timing column keep you honest.
Any script that pairs pictures with sound: TV and digital commercials, explainer videos, corporate and training videos, YouTube videos, documentary narration and interviews, and short-form social. The template picker in the editor has a starting structure for each, and there are dedicated pages for the commercial, explainer, corporate, YouTube, documentary, and short-form templates.
Open with the payoff in the first ten seconds, then structure the body around three to five points the viewer came for, and end with a single next step. Write the audio column as you would say it out loud, and use the visual column for b-roll, on-screen text, and cutaways so the edit is planned before you record. The YouTube script template gives you that structure as a starting point.
You do not need one. The template on this page is a working editor: write here, export a typeset PDF, or save the script to Boords. If you would rather build your own, the format is a three-column table (scene, audio, visual) with a running time under it, and the worked example above shows the conventions.
Yes. Export a PDF in A4 or US Letter with the scene, visual, and audio columns intact and the runtime totals under each scene, or copy the script as text to paste anywhere. If you save the script to Boords you also get Word (.docx) exports, Markdown, and plain text, plus a review link for feedback.
No. Write, time, and export without signing up. Your draft is not saved anywhere, not on our servers and not in your browser, so copy or export it before you leave. Creating a free Boords account is only needed when you want to save the script, share a review link, keep versions, or turn it into a storyboard.
Settle the brief first: audience, the one action, the runtime, and the platform. Outline the beats as single lines and agree the order. Write the audio column as it will be spoken, then fill the visual column against it. Cut to the runtime, read it aloud, send it for sign-off, and only then storyboard it. The template on this page is where the writing happens; the full method with a worked example is in our guide to how to write a video script.
A screenplay is the format for film and television drama: scene headings, action lines, and centred dialogue on a single column, written for a director and cast. A video script is written for a producer and an editor. It pairs the words with the pictures, row by row, and includes the runtime, so a client can approve it and a crew can shoot from it. If you are writing a feature or a TV episode, use screenwriting software. If you are writing a commercial, explainer, or brand film, use this. Our guide to how to write a script covers both.
Scripts, storyboards, and client sign-off in the same project. One link for the client, no login, and every approval on record.